Noel Cuizon
grant supplement to extend stay in the U.S.
to observe contemporary art activities in the U.S.
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Search / Filter GranteesArsenio Nicolas
to visit universities and other centers of research and teaching in ethnomusicology
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To travel between New York and Los Angeles and to provide supplementary maintenance allowance for November 1995.
To observe contemporary arts activities, meet with artists and curators, and create new work in the United States, beginning in fall 1994.
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undertake technical training in May 1999 at the Smithsonian Institution in Washington, DC and at the IBM Watson Research Laboratories in Yorktown
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to participate in the Arts Summit Festival in Jakarta, Indonesia, in September 1998
To complete a program of study in music composition and conducting leading to the Master of Music dgree at the Cleveland Institute of Music in fall 1986
to begin a program of study in music composition and conducting leading to the Master of Music degree at the Cleveland Institute of Music in the 1985-86 academic year
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Support for final year completing Ph.D. dissertation and degree in ethnomusicology at University of Pennsylvania.
To support summer semester study in 1994 and 1995 in connection with the completion of a program in ethnomusicology leading to the Ph.D. degree at the University of Pennsylvania.
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to support the participation of American and Asian specialists in the Global Indigenous Cultural Olympics/Summit (GICOS), scheduled to be held in Manila from February 24 to March 3, 1996.
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To assist ITI in providing program support services to visiting theater artists from Asia in 1994.
To provide support for a performance tour by Yoshi and Company of Hannya Shingyo, a contemporary ritual based on The Tibetan Book of the Dead, in the United States and Canada, September - October 1975.
To enable the following theater specialists to attend meetings of the Working Committee of the International Theatre Institute and the Asian Theatre Conference, Bombay, November 1972 and to enable Ellen Stewart to survey theater activities in Indonesia, Malaysia, and the Philippines: Martha Coigney, United States; Cecile Guidote, Phillippines; Winotokusomo Soedarsono, Indonesia; Ellen Stewart, United States; Duk Hyung Yoo, Korea.
To enable Cecile Guidote, executive director of the Philippine Educational Theater Association, Manila, to survey theater activities in the United States.
To enable the following American theater specialists to attend the Third World Festival and International Conference, Manila, November 1971: Rosamond Gilder, Lloyd Richards, Ellen Stewart, Luis Valdez.
To enable Brooks Jones, American theater specialist, to serve as advisor and visiting director at the Philippine Educational Theater Association, Manila.
To provide for purchase and distribution of 400 copies of the publication Theater 2 to theater professionals and institutions in Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaysia, Pakistan, the Philippines, the Republic of China, and Sri Lanka.
To enable Som Benegal, theater specialist, New Delhi, to attend a special session of the Executive Committee of the International Theatre Institute, Paris, October 1968.
To the American National Theatre and Academy, New York, to enable the following Asian theater specialists to attend the XII Congress of the International Theatre Institute, New York, June 1967, and to travel in the United States thereafter: Ariff Ahmad, Malaysia; E. Alkazi, India; Tetsuo Arakawa, Japan; Lamberto V. Avellana, Philippines; Som Benegal, India; Cecile Guidote, Philipines; Eui Kyung Kim, Korea; Kashiro Koizumi, Japan; Sombhu Mitra, India; Ryoichi Nakagawa, Japan; H.D. Sugathapala, Sri Lanka
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To pursue research on Native American cultural traditions in the United States in spring 1994 in connection with the development of a new collaborative music-theater piece.
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To complete a program in film and video production leading to the M.F.A. degree at the Tisch School of the Arts, New York University
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